The Eagle

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Delivering American University's news and views since 1925 | Tuesday, January 25, 2022

TAAMEEN MOHAMMAD/ THE EAGLE

American University students report ongoing U-Pass issues for spring semester

By Ellie White | 01/21/2022

Students express frustration with U-Pass problems and University response

The Latest

First semester of Black affinity housing: Creating a sense of belonging and community for Black students

By Isabella Brown | 01/21/2022

Students show support for mandatory testing, in-person classes in SG special election

By Abigail Turner | 01/20/2022

Students petition to lower cost of spring 2022 semester amid month of virtual classes

By Zoe Bell | 01/20/2022

Life

Club Feature: AU Beekeeping Society creates space for students to cultivate sustainability on campus

By Maya Cederlund | 01/07/2022

TV, Films and Food: Lady and the Tramp takes on the ‘veggie ball’

By Patricia McGee | 01/04/2022

DC Exhibit Highlight: ‘Disco to the Go-Go’ highlights the magic and importance of Go-Go music

By Kylie Bill | 01/04/2022

Sports

American University 80, Army 65: Eagles guards lead the way for win

By Alex Walulik | 01/24/2022

Game Review: The Wizards beat the Sixers Monday, but the Sixers really lost to themselves

By Liah Argiropoulos | 01/21/2022

AU alum Keira D’Amato sets American women’s marathon record

By Marco Gacina | 01/20/2022

Opinion

Satire: Campus-wide email blast ghost writer quits: ‘I can’t take the pressure’

By Owen Boice | 01/24/2022

Opinion: Students bear the responsibility of the University’s shortcomings in move to online learning

By Anna Gephart | 01/24/2022

Staff Editorial: Student body deserves transparency on COVID-19 protocols and accountability

By The Eagle Editorial Board | 01/17/2022

Silver Screen

Scenes that Stick: What ‘Mother!’ says about the horrors of humankind

Winter Weekend Watchlist: Films guaranteed to have you freezing from start to finish

Scenes that Stick: Reconnecting with the past in ‘Paris, Texas’

Scenes that Stick: Amy Adams brings all the complexities of ‘Arrival’ into focus with one devastating glance