Q&A: Jeremy Renner and director Michael Cuesta, "Kill the Messenger"
The two-time Oscar-nominated actor and his acclaimed director sit down with The Eagle to discuss their new political drama.
The two-time Oscar-nominated actor and his acclaimed director sit down with The Eagle to discuss their new political drama.
The VHS-inspired comedy show brought “weird” to Arlington.
Mark Lieberman and Devin Mitchell discuss director David Fincher and screenwriter Gillian Flynn’s buzzworthy new movie.
The stage adaptation of the film classic shines with a three-person cast.
David Fincher’s latest film brings Gillian Flynn’s novel to dark, dazzling life.
AU’s theatre troupe presents its annual variety show this weekend in the SIS Founders Room.
Prueher is one half of the comedy duo that curates the videos for the annual festival.
The third edition of the Bentzen Ball Comedy Festival will be serving up laughs from Oct. 1-5.
Plus: a review of ABC’s new comedy “Black-ish” and Mark offers words of frustration about the “True Detective” casting announcements.
Max Nichols’ “Two Night Stand” asks the right questions but doesn’t necessarily answer them.
Mark Lieberman and Devin Mitchell review NBC’s new cop/family show, preview the return of their favorite network shows and confess popular movies they haven’t seen yet.
“A Walk Among The Tombstones,” written and directed by Scott Frank (“Lookout”), deviates from the recent Liam Neeson trend.
The next addition to the young adult thriller genre is just good enough.
Professor Claudia Myers has gained international attention for her film “Fort Bliss,” starring Michelle Monaghan.
Devin Mitchell and Mark Lieberman discuss the latest personnel changes on “Saturday Night Live” and review ABC’s “Selfie” and NBC’s “A to Z.”
The modern adaptation of Kafka incorporates audience interaction.
The classic film doesn’t quite adapt seamlessly to the stage.
Mark Lieberman and Devin Mitchell pick their favorite summer 2014 movie experiences and review two new Amazon pilots.
Rafael Smith graduated from SOC in 2014. Now he’s poking fun at his alma mater with his new tune.
The indie horror flick adds nothing new to the found footage genre except a change in location.