Movie Review: Upstream Color
“Upstream Color” defies description, review and analysis.
160 items found for your search. If no results were found please broaden your search.
“Upstream Color” defies description, review and analysis.
“Oblivion”: a new science-fiction thriller crafted by the mental state of Joseph Kosinski (“TRON: Legacy”) and a team of script doctors.
Pop Mix
Rest In Peace, Roger Ebert (1942-2013)
Return of the Greats
Female protagonist. Two handsome love interests. Elements of the supernatural. Based on a book by Stephenie Meyer.
New Movies
In its rocky first season, "New Girl" struggled to balance the "adorkable antics" of its heroine, Jess (Zooey Deschanel, "500 Days of Summer"), with the less well-defined personas of her three roommates.
The 24/7 Experience: Have you heard? Justin Timberlake is back to making music.
We
Did the world need a feature-length adaptation of one of the most popular children's fairy tales of all time? No. Is "Jack the Giant Slayer" an effects-heavy and kid-friendly action adventure, the worst possible version of such an adaptation? Also no.
Movie Magic
Oscars:
“Downton Abbey,” a wildly popular British series about the inner workings of an aristocratic mansion in 1920s England, has captured the zeitgeist and satisfied America’s insatiable Anglophile appetite.
The process of creating a theater production generally takes a traditional form: the director chooses a show, peruses the script, casts actors who seem best suited to the characters, builds sets to reflect the stage directions and unveils the show for the audience to interpret.
As a parody of the most hackneyed components of teen fantasy films based on popular novels, “Beautiful Creatures” largely succeeds.
With an epic narrative that encapsulates the Ice Age, an apocalyptic rainstorm and a devastating war, the Department of Performing Arts’ production of Thornton Wilder’s “The Skin of Our Teeth” is not a casual trifle.
The undeniable appeal of the scandalous underground. The historical significance of love in Nazi Germany. A pineapple. The foundations for great theater? Indeed.
Say this for “Identity Thief”: it meets expectations. In other words, it’s as bad as its trailers and February release date would suggest.
For Tony Cohn, student theater is more than just a fleeting hobby.