493 items found for your search. If no results were found please broaden your search.
“Good Time,” directed by Josh and Benny Safdie (Benny also stars in the film as Nick) tells a one night tale of madness and crime in New York City. After a bank robbery gone wrong, Connie (Robert Pattinson) must get his brother, Nick, out of the dangerous Rikers Island Prison before the night is up.
Stephen King’s seminal─and wildly popular─tome “It” is newly interpreted by “Mama” writer and director, Andy Muschietti. Unlike the 1990 TV mini-series, this silver screen adaptation focuses on the protagonists’ childhood encounter with the demonic killer-clown Pennywise, leaving the adulthood one for a future sequel.
"Shot Caller" tells a story of a man named Jacob Harlan, played by Nikolaj Coster-Waldau, who had it all: a beautiful wife who loved him, a kid and a successful career. All of this changed one night when he was charged with a DUI manslaughter and was sent to a federal penitentiary to serve his time. This ends up being the first of many catalysts that charts the journey of the titular character from straight-laced man to a leader of a neo-Nazi group.
We’ve all been there: The activity of the evening for Welcome Week just doesn’t seem all that entertaining and now you’re left with a few hours to spend with your new friends. You can only go monumenting at night so many times, and you’ve definitely done your due diligence. It’s time to break out the movies and favorite shows. Read on for The Eagle’s guide to the top five flicks and shows to watch with the new crew.
There is no comprehensive reporting system for the number of missing and murdered Native American women and girls in the United States--the only category of missing persons without one. Many reports, however, estimate that Native women are murdered at more than 10 times the
“Whose Streets” is a first-hand account of the protests following the death of Michael Brown in
Ferguson. The necessity of covering the events from a perspective other than that of the mainstream media is without question, and this film offers unprecedented access.
“Atomic Blonde” drives a stiletto straight into the jugular of every “girl power” spy movie out there, literally and figuratively (watch the trailer and you will see what I mean). Based on the graphic novel series “The Coldest City” by Antony Johnston, Sam Hart and Steven Perkins, “Atomic Blonde” is set in 1989, just as the Berlin Wall is collapsing.
Christopher Nolan is one of the most acclaimed directors working in Hollywood right now. He’s also one of the few filmmakers who can demand any budget for any script he authorizes. Following his last picture, the divisive “Interstellar,” the film public was on edge about what was in store from the British writer and director.
Swiss director Frédéric Mermoud’s second feature film, “Moka,” follows the story of Diane (Emmanuelle Devos) who is struggling with the death of her only son in a hit and run accident. Diane is stricken with grief and anger as the police seem to be unable to find the killers, taking the case into her own hands by hiring a detective. She tracks a couple matching the description and infiltrates their lives to find hard evidence, subjecting them to the same pain that she is filled with. The film’s main question, “what does revenge mean?” gets over asked. What can Diane hope to accomplish by finding her son’s killers? What will it really change? Not once is there an actual answer.
It's the summertime, and what better thing to do than to sit back, relax and escape reality. There is some great television out there to help you do that, so let The Eagle assist in choosing the top shows to watch over the summer.
"Happy Gay Pride Month, we're taking away all of your representation," is basically what Netflix decided to say on June 1.
Veteran director and screenwriter Edgar Wright takes an unconventional approach to the typical heist film with "Baby Driver," yet fails to deliver much beyond high-powered car chases and a stellar soundtrack.
“I, Daniel Blake” is a moving look at the quagmire that is the welfare system, breaking through the callousness of glib terms like “welfare queen.” There is no crown or glory in battling an amorphic bureaucracy for something as basic as one’s right to exist and live.
After a series of poorly reviewed movies for the DC Extended Universe, largely helmed by director Zach Snyder, actress and soon-to-be mega-star Gal Gadot and director Patty Jenkins pick up the slack with “Wonder Woman.”
Matt Tyrnauer’s new documentary “Citizen Jane: Battle for the City” is a story about Jane Jacobs and Robert Moses. Jacobs's focus on organic growth clashes with Moses's goal of redeveloping New York City from the ground up during the 1950s and 60s. The film delves into these two contrasting visions of the city's future.
“The Dinner” tells the tale of two couples who meet over dinner to discuss what to do about their sons who are cousins and commit a serious crime. The conversation deepens and more information is shown and discussed as each new dinner course arrives. While the plot is an interesting idea, “The Dinner” ultimately loses the viewer and fails to entertain.
“Angkor Awakens: A Portrait of Cambodia,” is a documentary focusing on the Cambodian genocide led by the Khmer Rouge in 1975 and its effect on present day Cambodia. The documentary focuses on the loss of culture and the Cambodian people coming to terms with their own history. Director Robert H. Lieberman portrays how the Khmer Rouge continues to affect everyday life in Cambodia.
Journalism’s worst kept secret is the fact that print newspapers are a dying business. Something that has been somewhat of a secret is the directly-correlated dying obituary section.
Director Ben Wheatley’s attempt at a B-movie shoot ‘em up comedy is almost a complete, for lack of a better phrase, misfire, that is is as unoriginal as it is repetitive. Set in Boston in 1978, “Free Fire” is comprised of essentially one long scene at a warehouse where an illegal gun deal unsurprisingly goes awry. Despite an interesting cast that includes the always excellent Brie Larson and Cillian Murphy and the charming and funny Armie Hammer, occasionally artful cinematography, and a halfway-decent score, the film offers very little in the way of interesting dialogue, engaging characters or even decent action.
Take one of the most up and coming culinary hubs in the world with bright, ethnic flavors and colors and put it in front of the backdrop of a major political hot topic, and you get “In Search of Israeli Cuisine.” This modern food documentary follows James Beard award winning chef Michael Solomonov to answer the one question he has always pondered; what is Israeli cuisine? But what the audience really walks away with is a new perspective on the infamous Israeli-Palestinian conflict and the possibility of peace through cooking.