As the director of “The Descent” and “Dog Soldiers,” Neil Marshall is no stranger to tackling macabre and unearthly stories. While the “Hellboy” universe seemed like the perfect playground for him, the film is lifeless and falls flat despite the gratuitous amount of blood and gore and David Harbour’s solid performance as the titular character.
In August of 1819, 80,000 people rallied together at St. Peter’s Field, Manchester, in order to seek representation and reform. The peaceful demonstration soon turned into a frenzy, when the cavalry were ordered to enter and disrupt the people. This devolved into a violent massacre that led to hundreds of injuries and some deaths.
Police checkpoints and investigations of a thousand-men sting operation couldn’t stop outlaws Bonnie and Clyde, but two former Texas rangers did. Frank Hamer and Manny Gault were two highwaymen who brought an end to the criminals in 1934.
Jordan Peele shattered expectations with his directorial debut “Get Out.” Not only did it tap into the zeitgeist, but it also provided a darkly humorous and equally scary take on American race relations. In his sophomore effort, “Us,” he expands the lens of his commentary by exploring recurring conflicts within American identity.
In 2017, American entrepreneur Billy McFarland and rapper Ja Rule presented an exclusive weekend extravaganza on an island previously owned by Pablo Escobar, the notorious Colombian drug lord. Jerry Media, a successful marketing company, promised a star-filled line-up as they posted advertisements that featured Bella Hadid, Emily Ratajkowski, Hailey Baldwin and other models. Tickets to the event soared up to $250,000 and sold out within 48 hours.
The original “How To Train Your Dragon” made huge waves when it premiered in 2010. Not only was it visually stunning, it was also emotional and action-packed, setting the bar high for its sequels. How To Train Your Dragon 3: The Hidden World marks the conclusion of Toothless and Hiccup’s (Jay Baruchel) story and it does not disappoint, boasting quality animation, fantastic flying setpieces and a strong emotional core.
“Okurrr!” Chuckles rippled throughout the theater as Ali Davis (Taraji P. Henson) appeared on screen, speaking to her assistant after jumping off her in-home treadmill triumphantly. The scene instantly set the tone for Henson’s sassy, strong-willed character, which was enough to leave audiences laughing while feeling a little intimidated. But despite the cast’s convincing performances and humorous attempts, the film often fell flat in places where it sought to address deeper issues in the workplace.
On Plymouth Island, everybody thinks they know everything, but the truth is, nobody knows anything.
If you’ve kept up with the DC extended universe (DCEU), which, as lowly box office sales report, many of you have not -- then you are probably looking forward to James Wan’s “Aquaman” coming out this weekend.
Baird directs “Stan & Ollie,” a film that chronicles the late careers of the iconic comedy duo Stan Laurel and Oliver Hardy as they embark on their final theater tour. During the tour however, they come to realize that they’re not as popular as they used to be, nor as young and spritzy.
Tish and Fonny, separated by a clear window at a local jail, speak to one another on the phone. Through just a few words, their love is palpable, and through just a few glances, their separation is painful. We, as viewers, are quickly anchored to the characters.
When you decide to watch a documentary about food, whether it’s a feature length piece on the industry as a whole (ala “Food, Inc.”) or an episode from Food Network’s seemingly endless supply of shows about chefs eating food at other restaurants, there’s always the expectation that you’ll at least get to look at some tantalizing shots of the meals themselves.
Directed by Steven Caple Jr, “Creed II” ties the new franchise closer to the “Rocky” series, summoning a sequel that’s tied closely to the events of the fourth “Rocky” film. In this latest installment, Adonis Creed (Michael B. Jordan) is challenged by Ivan Drago (Dolph Lundgren) and his son (Florian Munteanu) to a boxing match, a fight that carries an incredible amount of baggage, for both Creed and Rocky Balboa (Sylvester Stallone).
The simple routine that Ralph and Vanellope (Sarah Silverman) have at the beginning of “Ralph Breaks the Internet” is suddenly upheaved when Ralph (John C. Reilly), the loveable and naive good-guy who is unable to avoid his destructive behavior, ends up breaking his best friend’s game.
What is the power of influence over film?
Jason Reitman’s latest film tells the true story of Senator Gary Hart (Hugh Jackman), who was embroiled in a controversy regarding an extramarital affair while running for the Presidency in 1988. The film covers the three weeks from when the information reaches the press, to when he eventually drops out of the race. “The Frontrunner” however never has anything to say, and just lets the story unfold without ever divulging anything interesting.
Even if one hasn’t seen Buster Keaton’s films, they are sure to have seen one of the many gags he created in other iconic films and television. Buster Keaton was not only an incredibly comedic performer, but also a filmmaking pioneer. In this entertaining tribute, Director Peter Bogdanovich shows just how his comedy bits and setpieces, especially in the 1920s, kept pushing the boundaries of what could be possible on the silver screen.
It is hard to quantify the true face of war. Everyday, people look at the news and hear stories about mass deaths, violence and acts of pure evil in different war-torn countries, where ordinary people have become victims ─ victims who need to have their stories told. Most are lucky to have a safe detachment from these warring corners of the world, but some brave few are tasked to bring those stories back home, who feel compelled to inform the public about these injustices. Marie Colvin was one of those people.
“The Other Side of the Wind” had a long journey before it made its way to screens. It was Orson Welles’ final outing as a director before he passed. He spent years trying to get funding to finish this film. Welles, by the 1980s, had garnered an enormous amount of respect, but that didn’t mean people were willing to sign on to something that was experimental. Welles was a man who was emboldened by his eccentricities, especially in the tail end of his career. When he passed in 1985, hours of shot footage were forgotten for years. This made Frank Marshall and Peter Bogdanovich (who also stars as Brooks Otterlake) spend years trying to get the movie off the ground again.
Those who watched Luca Guadagnino’s previous film “Call Me By Your Name” will undoubtedly remember a now infamous scene with a peach. If you can, try and recall your emotions as you squirmed in your seat, uncomfortable as you tried to come to terms with the obscenity unfolding before your eyes. It’s not so much the outrageousness that shocks you, but the intimacy in which the director and cinematographer handle such strangeness. If your feelings in that moment could be amplified into an entire film, then you’d have Guadagnino's reimagining of the cult classic “Suspiria.”