The season of the summer blockbuster is upon us. That overcrowded action-film-packed time of the year where most movies feel distinctly similar and clichés run amok at cinemas across the country. Gear up for the latest superhero flick, or get ready for another heart throbbing rom-com. Then, there stands “Sorry to Bother You,” a movie that is so crazy and wild, so fresh and new, that it could perhaps provide a cure (if only temporary) to that blockbuster fatigue.
The United States’ treatment of indigenous peoples is one of its paramount national sins. The release of “Woman Walks Ahead,” a film that attempts to grapple with this scar on American history, seems deftly placed two days after the country’s symbolic birthday.
The summer, while usually reserved for the blockbuster smashes of superhero action flicks, has found a darling in Boots Riley’s first feature film, “Sorry To Bother You.” The film centers on Cassius Green (Lakeith Stanfield) as he descends into the seedy underworld of telemarketing while discovering his “white voice.” The film is out now and has been a project of Riley’s for some time: the original script was finished in 2012 and published as its own paperback in 2014. Starting his career as a musician, Riley is used to creating socially conscious pieces of art within various different mediums.
The United States’ battle with opioids has been well documented at this point. From frequent news coverage, the Trump Administration’s decision to enact the death penalty on drug dealers and even other documentaries, it has become a cornerstone in our nation’s political discourse.
“The King,” directed by Eugene Jarecki and produced by Errol Morris, presents the current state of America through the prism of Elvis Presley, the king of rock n’ roll. It also rationalizes the American definition of success as analogous to the massive rise and tragic fall of Elvis, thus exploring the unhealthy relationship Americans might have with the “American dream”. The documentary follows Presley’s 1963 Rolls Royce across state lines during the 2016 election, inviting people to sit in it and talk not only about what Elvis meant to them, but also about what’s been plaguing them in their daily lives and how they want the country to move forward.
Motherhood has always been an integral plot element in storytelling. Fantine (Anne Hathaway) is a woman who has to resort to extreme measures to feed her daughter in “Les Misérables,” and Ellen Page plays a girl who has to reckon with how her life will be different after her teen pregnancy in “Juno.” But often overlooked is the simplicity of the relationship between a mother and her family and how it is in itself is a compelling story story.
Andy Nyman and Jeremy Dyson direct “Ghost Stories,” a British anthology film starring Nyman as Professor Goodman, a man who dedicates his life to debunking the psychic and the supernatural. The film is an homage to great British anthologies released in the 1960s and 70s by Amicus Productions. Low-budget films like Asylum, From Beyond the Grave and Tales from the Crypt are some of the studio’s notable releases that tell different stories linked by an overarching narrator.
It has all led up to this. Ten years of entertaining films, character development and world-building have culminated in Marvel’s latest addition to their cinematic universe, “Avengers: Infinity War.”
Filmmakers have always glorified men who live life in pursuit of a single goal. From Charles Kane’s final utterance of “Rosebud” in “Citizen Kane” to more recent films like “Whiplash” where the protagonist is dead-set on becoming the greatest drummer to ever live, suffering through endless abuse from his instructor along the way.
Despite the fact she was not involved in the direction, writing or production of this movie, the role of Renee in “
I Feel Pretty” was made for Amy Schumer. “I Feel Pretty” relays a positive message about self-love in a funny and relatable way. It is not particularly inspiring or empowering, but Schumer’s character shows that confidence is everything.
Based on the popular arcade game of the same name, “Rampage” tells the story of a primatologist named Davis Okoye (Dwayne Johnson), who notices his friend George, who happens to be an albino gorilla, is growing exponentially and getting angrier and angrier because of a mystery serum. The film then sets off with Okoye and Dr. Kate Caldwell (Naomie Harris), who previously worked with the company that created this serum and weapon, attempting to save the world and stop a series of different animals who got infected and are destroying the city.
“Truth or Dare” tells the story of five college students who are partying in an abandoned church in Mexico when they decide to play truth or dare. As soon as they get back home they realize they can’t escape the game, they are forced to either play, or die.
There is nothing particularly boundary-pushing about “You Were Never Really Here,” the newest effort by Scottish director Lynne Ramsay. It is a relatively procedural revenge film chronicling a man with a particular set of skills rescuing a damsel from the clutches of a group of men with sinister intentions (sound familiar?).
“Aardvark” tells the story of Josh Norman (Zachary Quinto), as he starts to see his therapist Emily (Jenny Slate) again after finding out his brother, Craig (Jon Hamm) is back in town for the first time in 16 years. Josh starts to reveal to Emily that he’s seen his brother on many occasions, masquerading as different people in his life. What Josh doesn’t know is that Emily is dating his brother.
Music has always been a major part of our interaction with the world. It fills our music halls, our campuses, our workplaces and even our homes. Popular artists like Lady Gaga and Kendrick Lamar have built personas and entire brands around their names. Even members of famous bands like Harry Styles of One Direction and Adam Levine of Maroon 5 have name recognition.
“Blockers” is what you would get if you let
Seth Rogen write the script for an original Disney Channel movie.
In “A Quiet Place,” John Krasinski -- most famous for his role in “The Office” -- decides to take his first plunge into the horror genre as director and leading actor. What results is a compelling exploration of one of the most crucial elements involved in the making of a successful horror film: sound design.
“Lean on Pete,” based on the book by Willy Vlautin, is writer and director Andrew Haigh’s newest film, which tells the coming-of-age story of Charley Thompson, a 15-year-old kid who befriends a race horse and sets out on a journey to find his family and stability in life.
On March 27, “Healing Baltimore's Harbor: A Pipe Dream?” was shown in the Doyle Forman Theater, bringing students and Washington, D.C. locals to hear more about Baltimore’s unsafe harbor. Students in Professor Mike English’s “Environmental Filmmaking for Public Television” class created the documentary examining Baltimore’s aged and crumbling sewage and stormwater infrastructure that continues to pollute the city’s harbor. Previously screened at the DC Environmental Film Festival, the short documentary has made its way into the conversations of DMV area environmental circles.
The world was profoundly affected by the stock market crash of 2008, and Americans are still feeling the consequences. However, since 2008, Chinese markets have appeared to be unaffected and even improving in some cases. Documentary filmmaker Jed Rothstein’s “The China Hustle” explores a loophole that may have allowed Chinese companies to exploit world markets.