Chance the Rapper excites crowd at Bender Arena
Bender Arena was filled with an upbeat crowd on April 10, as the Student Union Board (SUB) and WVAU teamed up to bring Chicago artist Chance the Rapper for their final show of the school year.
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Bender Arena was filled with an upbeat crowd on April 10, as the Student Union Board (SUB) and WVAU teamed up to bring Chicago artist Chance the Rapper for their final show of the school year.
Chairs ruffled creating static across the room, last Thursday as students and panel faculty politically analyzed and engaged React To Film’s screening of “Who Is Dayani Cristal” in the bottom of the SIS building. As the lights switched off and the screen descended from the ceiling, the stories of political horror and unrest began to project onto the audience.
A burst of cultural mixing and excitement was on display H Street in Chinatown as the seventh annual Chinese New Year Parade got underway on Feb. 2.
If you liked the first installment of the “Hobbit: an Unexpected Journey,” odds are you will enjoy “The Hobbit: The Desolation of Smaug” just as much. However, if you thought the first Hobbit installment was repetitive and dreadful to sit though, sorry but there is no hope for you.
The crowd popped up and down on the dance floor of Howard Theatre on Nov. 24 as Danny Brown, one of hip-hop’s newest faces, brought on a brief but exhilarating performance.
More than 1,000 people attended the GROUPLOVE concert hosted by Student Government’s Student Union Board on Nov. 8.
A crowd swarmed into Mary Graydon Center’s University Club on Nov. 5 as AU’s React to Film chapter put on one of its first screenings of the year, “How To Make Money by Selling Drugs.”
React to Film AU will hosting a screening of “How to Make Money Selling Drugs,” a film about Americans’ purchase and selling of drugs, on Nov. 5 at 7 p.m. in the MGC University Club.
The moderately commercial strip of 17th Street in Dupont Circle was barricaded and blocked off from traffic for the annual “High Heel Drag Race” on Oct. 29.
Sir Sly and Magic Man put on an electrifying performance that left all audience members dancing on Oct. 28.
Katy Perry – PRISM “Let’s rage,” guest rapper Juicy J exclaims in the opening seconds of “Dark Horse,” the sixth track on Katy Perry’s “PRISM.” The problem with the album is that Juicy J never gets his wish, in any sense of the word. Despite a few solid tracks and competent production, “PRISM” fails to extend the Katy Perry brand beyond her unimpeachable hit-making prowess. The generic first single and lead-off track “Roar” sets the blueprint: sonically catchy but lyrically empty, with plenty of references to other music but little to set Perry apart from the pop music herd. After a record-setting string of No. 1 hits from her previous album “Teenage Dream” Perry likely didn’t feel the need to experiment too much, a seemingly smart business strategy that makes for dull listening. The innovations are only on the surface: Juicy J’s toothless feature, the ‘90s-Eurodance homage “Walking on Air,” a pair of dour album-closing ballads. Perry is nothing if not a brilliant marketer, though. Second single “Unconditionally,” an alleged ode to her current boyfriend John Mayer, represents the album’s peak with a soaring chorus and genuine feeling that the rest of the album grasps only sparingly. Perhaps the lesson here is that the best music comes from a place of honesty, not corporate greed. – Mark Lieberman
Bikinis and fur boots covered the grimy asphalt sidewalks at the Echostage on Sept. 14, a common rave location and D.C.‘s largest concert venue.