Movie Review: The Hangover Part III
The wolfpack is back.
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The wolfpack is back.
"To boldly go where no man has gone before" might need an addendum: "To boldly go and blow things up in galaxies far, far away....where no man has gone before."
Baz Luhrmann's version of the quintessential American yarn of Jay Gatsby and his inevitable decline at the hands of the decadence and excess of the Jazz Age is a visual technicolor rhapsody.
The thwarted ambitions of a father, a couple trapped within a hellish '50s sitcom, two backwoods girls who bicker with a ghost and a song about eating children:
George Frideric Handel was only 22 years old when he composed "Dixit Dominus," a piece that represented a step toward more complex instrumentation during the Baroque period and is his earliest surviving autograph.
Kaitlyn Dinneh Wozniak has competed in beauty pageants ever since she was five years old. Before entering the image-conscious lifestyle, she made an agreement with her mother that once she expressed unhappiness with the competitions, her mother would allow her to stop.
There are scarcely couples within William Shakespeare's plays who can match the skirmish of wits between Petruchio and Katherina in SOC senior Seth Rose's adaptation of "The Taming of the Shrew."
"Hello, Clarice” is arguably one of the most quotable lines in cinematic history, uttered by Anthony Hopkins to Jodie Foster in Jonathan Demme’s 1991 “Silence of the Lambs.”
Dance is the art of talking loud and saying nothing, as James Brown would say.
In late March 2003, the Harold and Sylvia Greenberg Theatre in Tenleytown opened, finally giving a massive home to the Department of Performing Arts at AU.
Dancers were abuzz with excitement as they tried out full runs of their routines for the first time. These young dancers were AU students preparing for the AU in Motion “Spring Fever” 2013 Showcase, which takes place in the Tavern from April 12-13.
Five youths sojourn to a cabin in the woods and become cosmically screwed by the apoplectic demon forces that be for the duration of 90 minutes.
"[title of show]" deals in the theater of the absurd.
Medha Marsten's adaptation of William Shakespeare's "A Midsummer Night's Dream" plays out on the stage as if it were a lucid dream. Characters walk in and out of sets leaving behind faint traces of their existence - a glass bottle or a wicker hat - and easily fall in and out of giant romantic quadrangles.
High school is an unrelentingly trying experience both physically and psychologically. Tests, sports, more tests and living among the native cliques of the high school social strata make it tough to get by.
Before the production of “Henry V” starts, Richard Sheridan Willis, who plays the semi-omnipotent chorus throughout the play, sits listening to the sounds of the audience filing into their seats. He soon rises and addresses the audience, hands tied and condemned to death, stating that the events portrayed on the stage do not do the historical events justice.
Almost all of the Nicholas Sparks’ novel-to-film adaptations can be encapsulated in one sentiment — wistful.
Revolution can start with the smallest voice simmering up from the subjugated masses. Or at least that is what the new documentary by Ben Moses “A Whisper to a Roar” would like you to think.
It’s the beginning of a new semester, which means AU’s theater troupes have started gearing up for a busy season of plays, musicals and melodramas that will keep theater enthusiasts busy throughout the year.
Under the skillful direction of Daniel Abraham, associate professor in the Department of Performing Arts and director of choral activities at AU, the AU Chamber Choir performed a series of Russian, German and American works on Nov. 10 and 11.