REVIEW: Liam Neeson returns for his yearly action-thriller in ‘Blacklight’
Liam Neeson has been a star of action movies for almost two decades. Maybe it’s time to put his “very particular set of skills” to rest once and for all.
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Liam Neeson has been a star of action movies for almost two decades. Maybe it’s time to put his “very particular set of skills” to rest once and for all.
This review contains spoilers for “Who We Are: A Chronicle of Racism in America.”
If I told you that the writer/director of "RoboCop” had come out with a new film that follows a secret lesbian affair between nuns at a 17th century Italian convent, you’d be forgiven for thinking it was lecherous Hollywood trash. But as it turns out, "Benedetta” is just the opposite.
“Mother!” gives a horrifying take on humanity and the many ways in which people have irreversibly damaged our planet. The movie slowly builds up to a final scene that reminds the audience just how violent society has become in recent decades, both to the Earth and towards each other, in a way that is not only symbolic but alarming and disturbing.
With winter break coming to a close and the Spring semester looming on the horizon, classic Christmas movies like “Home Alone,” “Love Actually” and “A Christmas Story” are bound to have been on repeat the whole time you were home for the holiday season. Here is a list of movies to break out of the tedium and enjoy some equally winter-esque settings without all the holiday cheer and Hallmark Christmas storylines before starting classes again this January.
Deeply rooted in the American mythos, Wim Wenders’ 1984 film “Paris, Texas” is a gripping drama about a man seemingly pulled out of thin air. The only thing he can remember from the past four years is a mysterious plot of land and a name: Paris, Texas.
The final scene of Denis Villeneuve’s masterful “Arrival” is a perfect example of the type of movie magic that can only occur when a director and actor are in absolute sync.
This review contains spoilers from “Spider-Man: No Way Home” and other films in the “Spider-Man” franchise.
This review contains spoilers from “tick, tick…BOOM!”
From the Newsstands: This story appeared in our December 2021 print edition. You can find the digital version here.
The sci-fi thriller “Encounter,” from director Michael Pearce, perfectly balances razor-sharp tension and deep-seated emotional connection. While the powerful performances make for a worthwhile piece of entertainment alone, the sound design additionally makes the film a thrilling work of art.
Not many films are able to weave the discomfort of an awkward family dinner with the disturbingness of traditional jump-scare horror. But in “The Humans,” the newest film distributed by A24, these two cinema clichés are seamlessly blended to create an unpredictable and unsettling experience.
Perhaps you already knew this, but Lady Gaga can act.
Anyone looking for a spark of true inspiration need look no further than “King Richard.” Director Reinaldo Marcus Green chronicles the development of tennis legends Venus (Saniyya Sidney) and Serena Williams (Demi Singleton), and their father, Richard (Will Smith), who envisioned his daughters’ otherworldly success. The film provides the audience with a brilliant insight into what exactly drives and motivates a champion world-class athlete.
Sex, serial murder, surprise pregnancy and a very special car: right from the opening, “Titane” is a lot to take in.
Hosted by the Smithsonian National Museum of the American Indian, the Native Cinema Showcase screened a multitude of short films and features from Nov. 12 to Nov. 18. For the second year in a row, the festival was held fully virtually because of the coronavirus pandemic, which allowed for a global audience to view these highlighted Indigenous stories.
“Waikiki,” directed by Christopher Kahunahana, is a moving drama about Kea (Danielle Zalopany), a Native Hawaiian woman attempting self-preservation while battling poverty, homelessness, abusive relationships and mental illness.
U.S. Transportation Secretary and 2020 presidential candidate Pete Buttigieg isn’t an outwardly emotional guy.
The beginning of life doesn’t always start with a college road trip, but this film does.
The Eagle’s Diversity, Equity and Inclusion committee recently added audio narrations to all stories for increased accessibility.