Delivering American University's news and views since 1925. | Wednesday, November 21, 2018

Silver Screen


A mother and son defy the restaurant world in “Chef Flynn”

By Andrew Klabnik Last updated: 13 hours ago

When you decide to watch a documentary about food, whether it’s a feature length piece on the industry as a whole (ala “Food, Inc.”) or an episode from Food Network’s seemingly endless supply of shows about chefs eating food at other restaurants, there’s always the expectation that you’ll at least get to look at some tantalizing shots of the meals themselves.But “Chef Flynn” is a food documentary that spends very little time dwelling on the food itself. There are no slow-motion shots ...

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“Creed II” isn’t as graceful as it’s predecessor, but still throws impressive punches

By Ali Almutairi Last updated: 17 hours ago

Directed by Steven Caple Jr, “Creed II” ties the new franchise closer to the “Rocky” series, summoning a sequel that’s tied closely to the events of the fourth “Rocky” film. In this latest installment, Adonis Creed (Michael B. Jordan) is challenged by Ivan Drago (Dolph Lundgren) and his son (Florian Munteanu) to a boxing match, a fight that carries an incredible amount of baggage, for both Creed and Rocky Balboa (Sylvester Stallone). This fight is an opportunity for Creed to not only ...

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“Ralph Breaks the Internet” represents Disney’s new take on what friendship means

By Kelly McDonnell Last updated: 11/18/18 7:17pm

The simple routine that Ralph and Vanellope (Sarah Silverman) have at the beginning of “Ralph Breaks the Internet” is suddenly upheaved when Ralph (John C. Reilly), the loveable and naive good-guy who is unable to avoid his destructive behavior, ends up breaking his best friend’s game.The owner of the arcade can’t afford the necessary replacement part online, so he has to scrap the game that Vanellope calls home.Ralph’s guilt leads him to abandon the familiarity of the arcade and traverse ...

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El Ángel” is a stylish foreign crime thriller

By Jacob Robbins Last updated: 11/15/18 2:01pm

What is the power of influence over film?I can still recall with amazing clarity when I first saw Faye Dunaway’s devious smile in the classic “Bonnie and Clyde.” There is also Warren Beatty donning his handsome mug and plenty of violence and gore to knock the socks off any movie-going audience. That film focuses on two criminals who fall in love while pulling off a series of ever-escalating and audacious heists, while also exploring themes of sexuality, criminality, and identity.“El Ángel,” ...

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Jason Reitman’s “The Frontrunner” is well made, but lacks punch and personality

By Ali Almutairi Last updated: 11/15/18 1:31pm

Jason Reitman’s latest film tells the true story of Senator Gary Hart (Hugh Jackman), who was embroiled in a controversy regarding an extramarital affair while running for the Presidency in 1988. The film covers the three weeks from when the information reaches the press, to when he eventually drops out of the race. “The Frontrunner” however never has anything to say, and just lets the story unfold without ever divulging anything interesting.The film is undeniably topical, and asks the question ...

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‘The Great Buster: A Celebration’ is a Bogdanovich love letter to comedy icon Buster Keaton

By Ali Almutairi Last updated: 11/09/18 11:42am

Even if one hasn’t seen Buster Keaton’s films, they are sure to have seen one of the many gags he created in other iconic films and television. Buster Keaton was not only an incredibly comedic performer, but also a filmmaking pioneer. In this entertaining tribute, Director Peter Bogdanovich shows just how his comedy bits and setpieces, especially in the 1920s, kept pushing the boundaries of what could be possible on the silver screen. Buster Keaton started performing at a very young age for ...

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“A Private War” is a thoughtful, visceral look at journalist Marie Colvin’s experiences

By Ali Almutairi Last updated: 11/08/18 9:01am

It is hard to quantify the true face of war. Everyday, people look at the news and hear stories about mass deaths, violence and acts of pure evil in different war-torn countries, where ordinary people have become victims ─ victims who need to have their stories told. Most are lucky to have a safe detachment from these warring corners of the world, but some brave few are tasked to bring those stories back home, who feel compelled to inform the public about these injustices. Marie Colvin was one ...

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Luca Guadagnino’s “Suspiria” is a spellbinding incantation

By Brandon Ermer Last updated: 11/01/18 10:00am

Those who watched Luca Guadagnino’s previous film “Call Me By Your Name” will undoubtedly remember a now infamous scene with a peach. If you can, try and recall your emotions as you squirmed in your seat, uncomfortable as you tried to come to terms with the obscenity unfolding before your eyes. It’s not so much the outrageousness that shocks you, but the intimacy in which the director and cinematographer handle such strangeness. If your feelings in that moment could be amplified into an ...

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“The Other Side of the Wind” is a challenging, unwieldy view into the director

By Ali Almutairi Last updated: 11/01/18 10:00am

“The Other Side of the Wind” had a long journey before it made its way to screens. It was Orson Welles’ final outing as a director before he passed. He spent years trying to get funding to finish this film. Welles, by the 1980s, had garnered an enormous amount of respect, but that didn’t mean people were willing to sign on to something that was experimental. Welles was a man who was emboldened by his eccentricities, especially in the tail end of his career. When he passed in 1985, hours ...

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“Wildlife” is all smoke but no fire

By Jacob Robbins Last updated: 10/26/18 7:15am

“Wildlife” is a film that oozes potential. The cast, for one, is enough to get anyone excited: Carey Mulligan and Jake Gyllenhaal staring side by side. It’s the directorial debut of Paul Dano, an actor whose portfolio includes some of the greatest pieces of cinema from the last couple of years (“There Will Be Blood,” “Little Miss Sunshine,” and “12 Years a Slave” to name a few). It has a premise that lends itself so well to the screen: a father leaves his family to fend for themselves ...

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